The Online Newsletter of 

Volume 7, Number 6        March, 2001

 

Poetry Reading

"What God Says to Me When I Am Alone"
Opens March 23

 

    ACT I's poetry reading, "What God Says to Me When I Am Alone," opens March 23 and continues March 24, and 25 at Wesley United Methodist Church in Vinton.  The event will take place in the church's fireplace room.  A variety of readers will present their favorite poetry to audiences representing a wide range of styles, and will also include some original poems.  The organizers of the event are Larry and Beverly Adams-Bowers.  The cost is $5.00 per person, which includes dessert refreshments to be served as the reading progresses.  Among those reading will be:

Ed Dickerson, Colleen Stufflebeam, Mary Horst, Annie Horst, Willard Pearson, Traci Higgins, Josie Rundlett, Steve Arnold, Larry Adams-Bowers, and Beverly Adams-Bowers.

Season ticket holders are reminded that their ticket packet contains a coupon for $1.00 off this event.

 

"My Fair Lady" Closes Successful Run

 

Our production of the musical "My Fair Lady" closed on March 4 after a successful 8 performance run.  The weather proved very cooperative and none of our performances were threatened by unwanted ice or snow.

Box Office manager Linda Radcliffe reports that the show was viewed by nearly 1000 patrons.  A big thank you to all who attended and enjoyed the performances, to the Palace staff for their help and cooperation, and to the cast and crew for their efforts.

Member of the Month
Ida Higgins

Think of "My Fair Lady," and the first technical element that comes to mind is costumes.  Think of ACT I and costumes, and one name comes to mind.  This month, as we bask in the afterglow of our recent production of "My Fair Lady," we pay tribute to a member of ACT I who has never set foot on our stage, but when the rest of us do, we look great because of her.  Her quiet dedication to ACT I and to creating work of exemplary quality is a model to all of us.  Our member of the month for March is our costumer extraordinaire, Ida Higgins.

Ida never flinched as she took on the daunting task of costuming this show, certainly Ida's largest ACT I assignment to date.  Every piece of costume seen on stage in the show -- over seventy in all, recreating the elegance of Edwardian London in 1912, was selected, found, rented, or created by Ida.  Every stitch of every new costume made for this show -- with over twenty new costumes -- was sewn by Ida, and we salute this achievement!  The audible gasp we heard each night from the audience as Kari Douma as Eliza Doolittle stepped onstage in her fabulous ball gown was a gasp of delight for Ida's work.

Ida began working with ACT I during our production of "Bridge to Terabithia" in 1994, creating well over a dozen costumes for that show's fantasy scene.  She recalls this show as being one of her most challenging.  In 1995 she created over 50 costumes for "The Sound of Music," including all the children's costumes -- 4 complete changes of clothes for each of the seven children.  "The Sound of Music" also provided Ida with the opportunity to create what may be her most unusual costume pieces ever -- several Nazi armbands.  For every swastika, Ida appliquéd each bar individually, copying exactly the technique found on an authentic, original armband provided by local collector and ACT I member Dean Beckman for Ida to model.

Sometimes, Ida makes just a few specialized pieces for a given show, such as Kathleen Berger's elegant, ethereal gown for last season's "The Secret Garden."  And sometimes, the challenge requires her to work without a pattern, such as with "The Prince and the Pauper," when she created the costume for Prince Edward by copying a portrait of the real life King Edward VI, the central character in that show, who became King of England at the age of eight.

Some of Ida's creations are seen onstage time and again, appearing like old friends or actors making repeat performances.  An example is the peach colored cape and hat made originally for Jessica Coulter in "The Miracle Worker" which has been seen on our stage in five subsequent productions, most recently being worn by Erin Horst as Mary Lennox in "The Secret Garden."  One of Ida's personal favorites is her White Wolf, another of her creations made without a pattern.  The wolf debuted in "Bridge to Terabithia" and has since been seen in "How to Eat Like a Child" and "The Lion, the Witch, and the Wardrobe."

In the past, Ida has been asked to create specific costumes of varying quantities for a given show.  "My Fair Lady" was the first ACT I production in which Ida was totally in charge of costuming, and she found this new challenge very rewarding.  She praised the cast and crew for really making her feel a part of the production company and is looking forward to taking charge of wardrobe again for future shows.  She says the part of the costumer's job that intrigues her the most is the brainstorming with the director while the show is in the planning stages.  When I met with Ida to prepare this article, we reminisced about the two of us discussing "Bridge to Terabithia" one day over lunch, coming up with the ideas for the various fantasy characters, none of whom existed in the text of the play.  Out of that meeting came her many beautiful creations, including her white wolf creation.  She said she enjoys talking with the director to get his ideas so she can make those ideas "come alive in a costume."

Here are photographs of some of Ida's ACT I creations:

At right is the costume Ida created that we have seen most frequently onstage, the cap and vest created originally for Helen Keller in "The Miracle Worker," seen here worn by the character of Mary Lennox in the final scene of "The Secret Garden."

Ida describes her most challenging show as "Bridge to Terabithia," in which she created costumes for the fantasy sequence.  Pictured above, two knights duel to the death in the imaginary Kingdom of Terabithia, all in costumes Ida created.  The knights' costumes were later seen in "The Prince and the Pauper."

Another "Terabithia" costume, the one Ida describes as her personal favorite, is the white wolf she created without a pattern and which has been seen in two subsequent productions.  The costume consists of a head, a cape with gloved arms, and boots, all in white fur, to be worn over a white running suit.

Ida created over 50 costumes for "The Sound of Music," including 28 separate costumes for the seven children.

For our 1999 children's theatre production of "The Prince and the Pauper," Ida created the costume for Prince Edward (who becomes King Edward VI during the show), worn by both Josh and Kyle Brewer in their roles of Prince Edward and Tom Canty.  Ida recreated this historically correct costume without a pattern, using a portrait of the real King Edward as her model.  The costume, which includes leggings, shirt, vest, coat, and hat, ranks as among the most beautiful ever seen on the ACT I stage, and contained over $150.00 worth of materials.

Ida is a life long Vintonian, and has been married to Morris Higgins for 32 years.  Morris is employed by Benton County.  They have four children -- Troy, who will graduate from college this spring with a degree in Elementary Education; Traci, who will make her ACT I debut this month in our poetry reading, Dick, who will be married in June, and Kenny, a 2000 graduate of WHS in Vinton.  The couple also has one grandchild and another due in September.

Ida's first involvement with theatre came when she was in the chorus for a high school musical entitled "Swinging High."  Following that, a fair amount of time went by before she became active in ACT I.

Currently, Ida is a Para Educator at the Iowa Braille and Sight Saving School in Vinton.  The current school year is her fourth as a full time employee of IBSSS, although she has worked there part time since 1993.  She speaks with great delight about the many students she serves in her dorm.  Prior to working at the Braille school she was a day care provider for 21 years and also worked part time in the lunch room at West Early Childhood Center for several years.

Outside Vinton, Ida is best known as a weather spotter.  She has been employed in this capacity for 21 years by the National Oceanic and Atmospheric Administration.  As a spotter, she reports regularly to three area television stations -- KCRG (Cedar Rapids), KWWL (Waterloo) and KOEL (Oelwein).  Because of this, Ida's name is heard frequently in nightly newscasts.

What's next for Ida and ACT I?  Ida will be organizing our new costume shop at the ACT I Studio, taking over as our permanent staff costume custodian, putting order to our inventory of costumes which have been recently moved into the new space -- a space filled with Ida's creations.

Congratulations, Ida, for all the shows you have helped costume for so many years, and we look forward to many more beautifully dressed productions in the future!

Casting Announced for "The Crucible"

The second production of our reader's theatre series will be "The Crucible" by Arthur Miller.  This intense drama about the Salem Witch Trials will be presented April 19-21 at the Ray House in Vinton.  Director Le Cox is pleased to announce her cast for the production.  Here is a partial cast list:

Reverend Samuel Parris       Ed Dickerson                 
Abigail Williams                   Jaimie Tucker
Ann Putnam                         Linda Radcliffe
Thomas Putnam                   Pat Lyons
Mercy Lewis                        Jessica Rundlett
Mary Warren                        Josie Rundlett
John Proctor                        Larry Adams-Bowers
Rebecca Nurse                     Beverly Adams-Bowers
Reverend John Hale              Bill Owens
Francis Nurse                       Ron Baldwin
Elizabeth Proctor                  Lori Hanser
Deputy Governor Danforth    Steve Arnold

"The Crucible" was first performed in January of 1953, and was written in response to the McCarthy Hearings.  The play demonstrates how lives can be ruined by lies and innuendo.  Although based on the actual events of 1692 in Salem, Massachusetts, Miller freely interprets history for the purpose of creating a good story.  Although many of the characters in the play were real people, others are composites or fictional.

Auditions for Harvey!

The final auditions for the 2000-2001 Season will be held this coming Monday and Tuesday, March 19 and 20th at 7:00 PM at the ACT I Studio, 106 1/2 4th Street, Vinton, above Clingman Pharmacy.  Contact director Greg Douma at 472-9659 for more details.

Roles:

Male Characters:

Elwood P. Dowd, 40ish eccentric who "sees" a six foot rabbit
Dr. Lyman Sanderson, a young psychiatrist, in love with Nurse Kelly
Dr. William Chumley, an older psychiatrist, self assured, eccentric
Duane Wilson, a male attendant, tough and not too bright
Judge Omar Gaffney, an elderly attorney
E.J. Lofgren, a young cab driver

Female Characters:

Veta Louise Simmons, Elwood's high strung sister
Myrtle Mae Simmons, her young and somewhat dowdy niece
Ruth Kelly, a young nurse, in love with Dr. Sanderson
Betty Chumley, Dr. Chumley's wife
Mrs. Ethel Chauvenet, an aging society matron

ACT I TRIVIA QUIZ

My Fair Lady 

How well did you watch "My Fair Lady?"  This month's quiz will test how well you picked up all those little details of our show that recreated Edwardian London.  How many did you catch?

1.  One of the most beloved songs from this show is "On the Street Where You Live."  What is the name of the street to which this song refers?

2.  The opening scene of the play takes place outside the Royal Opera House, Covent Garden just after a performance of which opera?

3.  In one of the scenes of the first act, Rick Murphy as Colonel Pickering is seen reading a newspaper, a replica of an actual London newspaper created by prop mistress Shirale Hanson from the year and month in which that scene takes place.  What famous event is featured on the front page of that paper?

4.  What is Eliza Doolittle's home neighborhood in London?

5.  How much money did Alfred P. Doolittle inherit from Ezra Wallingford?

6.  What was Colonel Pickering's first name?

7.  In the hugely funny Ascot scene, Eliza describes in detail her aunt's final illness.  What feat of strength does she claim her aunt performed?

8.  How much money does Eliza offer to pay Henry Higgins for lessons?

9.  What are the two subjects that Eliza is to limit herself to in conversation at Ascot?

10.  Finish the following:  "In Hartford, Heresford, and Hampshire ..."

11.  What does Henry Higgins suggest to Colonel Pickering to "quieten your nerves" ?

12.  What does Zoltan Karpathy conclude is the true identity of Eliza Doolittle?

Submit answers to: act1ofBC@aol.com

or mail to ACT I of Benton County Trivia Quiz
Box 222, Vinton, Iowa  52349

REMEMBER:  You do not need to have all the answers in order to submit an entry!  

Answers to Last Month's Quiz

Roles of Famous Actors

Which ACT I performers played the following roles on our stage performed on film by the following stars?

1. Dick Van Dyke in "Bye Bye Birdie"
             GERALD HORST as Albert Peterson

2. Laurence Olivier in "Sleuth"
   
         STEVE ARNOLD as Andrew Wyck

3.  Michael Caine in "Sleuth"
   
         LARRY ADAMS-BOWERS as Milo Tindle

4. Julie Andrews in "The Sound of Music"
   
         ANNETTE WILLIAMS as Maria von Trapp

5. Alan Alda in "Same Time Next Year"
            DAVID BREUMMER as George

6.  Maggie Smith in "The Secret Garden"
             LORI KERWIN as Mrs. Medlock (Renowned British actress Smith appeared in the well known film version of the Francis Hodgson Burnett novel that was strikingly different from the musical version presented by ACT I.)

7. Anne-Margaret in "A Streetcar Named Desire"
             NANCY BECKMAN as Blanche DuBois  (Anne-Margaret appeared in a TV remake of the play many years ago.)

8. Anne-Margaret in "Bye Bye Birdie"
             PEGGY MOEN as Kim McAfee

9. Elizabeth Taylor (at age 15) in "Life with Father"
             MAGGIE KARR as Mary Skinner

10. Elijah Wood in "Oliver Twist"
             CHARLIE VOGL as the Artful Dodger (A non musical version of the Dickens novel played on television the month after the ACT I production ran, and it certainly wasn't lost on us that Cedar Rapids had just produced two great Dodgers!)

11. Leonardo di Caprio in "Marvin’s Room"
             JOSH DEUTSCH as Hank  (Josh isn't the only ACT I member to have played this role.  A few years prior to our production, the play was produced by the Old Creamery Theatre, and there, in a unique twist of gender switching, the role was played by ACT I member Emily Zimmer.  Josh and Emily gave two very different but equally credible performances.)

12. Patty Duke in "The Miracle Worker"
             JESSICA COULTER as Helen Keller

Congratulations to Jim Hilliard who answered five out of twelve correctly!  Congratulations also to Ruth Arnold who answered three correctly!

The Next Meeting of the Board of ACT I of Benton County will be Sunday, April 8, 2001 at 6:00 PM in the ACT I Studio.
Visitors are always welcome.

Minutes of meetings from the current year can be accessed on the Board page of our website.

Message from
the (Interim) Editor

I hope our readers will forgive a completely personal story here, and hope I won't be considered too self indulgent to share this about myself.  First, I would like to thank ACT I, director Larry Adams-Bowers, and music directors Greg and Kari Douma, for giving me the opportunity to play Henry Higgins in our recent production of "My Fair Lady."  I would also like to extend my thanks to the rest of the cast and crew for giving me such a pleasurable experience, to the Palace Theatre staff for their help and support of the production, and to all our patrons who came to enjoy the show.  This is a role I have wanted to do for over 30 years and you all helped make this a truly memorable event for me.

Many thank yous for the production were listed in the program, but there are two personal thank yous that were not, and those are the ones this piece is going to be about.

Those of you who know me well know that I have been fighting rheumatoid arthritis for some time, which has in recent years effected my ability to move easily.  Last year about this time I came to the realization that things were to the point that I would have to discontinue my involvement with ACT I productions and that the 2000 - 2001 season would have to be my last one.  It was my conclusion that "My Fair Lady" would likely be my final show.  But by the time school started this past fall, I wasn't sure that doing this show would be possible.

I could no longer take Oberon for morning walks or mow my lawn.  The simple act of walking from my car to my classroom was physically draining.  Stairs were an ordeal at best.  I was popping 87 pills a week from five different prescriptions in ever increasing doses, and still month by month I was losing ground.

Well meaning friends and friends of friends had already given me every crackpot home remedy for arthritis known to man.  The most bizarre of these is "raisins soaked in gin," which has come to me more often than any of the top ten internet hoaxes.  (The recipe is very specific as to the exact ratio of raisins to gin, and it must be white raisins, not regular ones.  I never stopped laughing long enough to try it.)

Now if you're thinking that this description of me doesn't match the guy you saw on stage, bounding up and down off the couch, going nimbly up and down a narrow staircase, and even (gasp!) WALTZING (!!!), you're right.

In October, my rheumatologist, Dr. Stephen Eyanson, told me it was time for something new -- a more radical treatment called Remicade, that he assured me would bring significant improvements.  Remicade is administered by IV at the doctor's office -- the first three doses given at two week intervals before going on a permanent schedule of once every eight weeks.  I was warned not to expect any change until after the first three doses.  After the insurance company approved the treatment, with a measure of skepticism, a measure of apprehension, and a measure of hope, I began the procedures.

Jump ahead to February 22, opening night of "My Fair Lady."  The results of this new treatment made my performances possible, and gave me a lot more to smile about than just the satisfaction of a successful show as I took my bows.

Now, once every eight weeks I go into Dr. Eyanson's office and relax in a comfortable recliner for three hours while the clear liquid contents of a small plastic pouch drain into my arm, giving me eight more weeks of near normal mobility.  For the first time in years, I can feel myself getting better instead of worse.  And now I can remain active in ACT I to the fullest extent that I choose.

Thank you, Dr. Eyanson.  Thank you, Remicade.  Now on to the 2001-2002 Season!           

                                    

                                      Steve Arnold
                                      SArnoldIA@aol.com
             
             472-5308

That's Grease Paint for March, 2001!

To look back at previous online issues, visit our Grease Paint Archives page by clicking here!

 

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