
Volume 12, Number 4 September, 2005
Main Stage Series Continues!
Meredith
Willson's
The
Music Man
Concludes with
Sellout Weekend

The Music Man "poster boys" - third grader Blake Havran (left) of Dysart, fourth grader Luke Owens (center) of Vinton and fifth grader Ben Akers of Vinton are members of the Music Man ensemble and were selected to be featured in this photograph for the production poster which can be seen across Benton County.
"You can
fool all of the people some of the time" is the theme for our current season,
and what better show to illustrate that theme than Iowa's favorite
musical, about a loveable con man trying to sell a boys band to a small town in
Iowa 93 years ago? Meredith
Willson's The Music Man continues its successful run for a second and
final weekend beginning September 22 at the Palace Theatre in Vinton,
and all three of the final performances will play to sell out houses. This
show about a small Iowa town much like Vinton in 1912 has been a runaway hit
with local audiences and excellent performances by the entire cast have given a
festival quality to the run. The play occupied several years of Iowa
composer Meredith Willson's creative energies as he wrote the script, as well as
all the music and lyrics. First performed at the Majestic Theatre on
Broadway on December 19, 1957, the show's popularity as one of the all time
favorites of the musical comedy genre has never wained. The enthusiasm
shown the production by the local audience is a gratifying affirmation that the
show has lost none of its luster forty-eight years after Harold Hill's train
first rolled into River City!
The ACT I production is very different from traditional interpretations of the musical. The elaborate, large scale sets that are usually associated with productions of this show are gone, replaced with a minimalistic "black box" representational set that places the visual emphasis of the show entirely on the actors and their beautiful period costumes.
The high energy Vinton cast of ACT I's 95th production, the first Main Stage production of our 26th season, is headed by Anthony Bopp as Harold Hill and Sheila Monson as Marian the Librarian, and features Ben Hyland as Winthrop, Greg Walston as Marcellus, Brian Larkin as Mayor Shinn, Jill g. Lockard-Bopp as Mrs. Shinn, Linda Merritt as Mrs. Paroo, Ray Bookmeier, Ed Dickerson, Dave Gates, and Alan Nebola as the quartet, Bunny Feller, Sue Gates, Conni Huber, and Sherry Stout as the Pick-a-little ladies, Jesse Bunge as Tommy Djilas, Sarah Allen as Zaneeta Shinn, David Canaday as Charlie Cowell, Willow Huber as Amaryllis, Rachel Monson as Gracie Shinn, and Jeff Akers as Constable Locke. The salesmen are played by Kevin Ahrenholz, Kevin Bookmeier, Mark Hancock, Mark Noe, Darran Sellers, and Jason Yessak, and the train conductor is Mike Modrow.
The ensemble also includes Ben Akers, Katie Akers, Allison Canaday, Emma Clingman, Corey Cooling, Camille Fank, Rachael Gustafson, Katie Hancock, Will Hancock, Alyssa Hanson, Patrick Horst, Blake Havran, Ivy Huber, Rachel Kramer, Gina Lahue, Wesley Lyons, Tess Noeller, Luke Owens, Kimberly Shafar, Ben Stainbrook, Nicholas Stout, Molly Ternus, Jackson Tranel, Suzie Westlund, Haley Jo Wombacher, and Jordan Yessak.
The orchestra, led by Judy Trytgstad, includes Mike Grimm, Rachael Larkin, John Fuoto, Kelly Monahan, Lori Ferguson, Derek Ferguson, Jan Roth, Barb Glime, Aaron Pingenot, and cast members David Canaday and Molly Ternus.
The show is directed by Steve Arnold, assisted by Sue Freet and Mike Modrow, who also serves as Stage Manager. Music Directors are Conni Huber and Sheila Monson. The choreographer is Joan Cooling. Set construction is by Ed Cardwell, assisted by Nancy Cardwell, Kevin Kacdena, and Christal Moeller. The set was designed by Mary Horst and the lighting design is by Kevin Bookmeier. Costume Mistress is Ida Higgins, assisted by Sue Gates, Bunny Feller, and Jill g. Lockard-Bopp. Wig stylist was Bunny Feller, and backstage hair design is by Kathy Tranel. Makeup assistants are Gina Lahue and Kathy Tranel. Michelle Bookmeier is running lights and the sound board operator is Anita Yessak. Properties are by Rachel Kramer, Nancy Cardwell, and Angie Nebola. Stage Crew is Mike and Matthew Modrow. Rehearsal accompanist was Julie Canaday. The program layout was by Mary Horst. Barb Bookmeier and Brenda Hackbarth are the House Managers and The Palace Theatre staff has been in charge of the Box Office.
Production sponser for Meredith Willson's The Music Man is Farmers Savings Bank and Trust.
Performances remaining will be Thursday, September 22 and Saturday, September 24 at 7:00 pm; and Sunday, September 25 at 2:00 pm. Few if any tickets remain for any of these.
Opening Week Performance Photographs

Marian Paroo continually resists the advances of the con man, Professor Harold Hill

"Seventy-six Trombones" production number

Professor Harold Hill charms the ladies of River City

"Marshmallow?"

Harold Hill's powers of persuasion work only momentarily on Mayor Shinn

When the Wells Fargo Wagon arrives with the band instruments, Marian's little brother Winthrop joyously comes out of his shell when he receives his cornet from Harold Hill.

Marian's opinion of Professor Hill changes immediately when her shy, withdrawn brother changes into a happy little boy because of his instrument. She becomes his ally for the remainder of the story.

The ladies practice their dance as the quartet look on.

The Shipoopi production number

Lida Rose

Mrs. Paroo stands in defense of Harold Hill as the townspeople clamor for revenge

In a magical, heartwarming moment, the townspeople are softened by the sight of the boys band entering the gymnasium in uniform. Marian urges Harold to lead them in the Minuet in G.

Before a performance, cast members can be found warming up vocally in the alley outside the stage door behind the Palace Theatre.
For additional information about this production, including photographs and a complete cast list by character, go to The Music Man show page of this website at www.act1.org/musicman.htm.

The ACT I Ticket information line and Palace Theatre Box Office number is 472-9957! Although the remainder of this run is a virtual sellout, keep this number handy for the remainder of our season!
Channel 8's
Good Day, Iowa
On Monday morning, September 19, ACT I's production of Meredith Willson's The Music Man got an unexpected plug when we were featured in the new local Fox news program, Good Day, Iowa. Reporter Linsey Gramm from the Cedar Rapids Fox affiliate and her crew spent nearly two hours in Vinton at our final dress rehearsal last Wednesday night, filming excerpts of the production, interviewing company members, and getting a look at our theatre. The segment, which ran at about 8:25 Monday morning on channel 8, featured a collage of scenes from the show; director Steve Arnold, cast member Ben Hyland, and ACT I president and choreographer Joan Cooling were also interviewed. Linsey told us she learned about the upcoming show when she stumbled onto our website. Several VCRs in Vinton were running that morning, so if you missed the TV segment you can probably find someone who has a copy!
Our production also got a nice plug last week on KCRG TV 9 in the weekly Thursday morning arts segment featuring Cedar Rapids Gazette Arts and Entertainment editor Rob Merritt at around 6:15 AM. Rob promoted the show to reporter Scott Sandborn. Rob is the son of cast member Linda Merritt, who plays Mrs. Paroo.
Meredith
Willson:
Iowa's Musical Ambassador to the World

Meredith Willson (1902 - 1984)
Former President Herbert Hoover. Former First Lady Mamie Doud Eisenhower. Actor John Wayne. Actress Donna Reed. Opera star Simon Estes. Johnny Carson. Former Vice President Henry Wallace. Broadway star Timothy Shew. Current film stars Elijah Wood and Ashton Kuchter. Nobel Peace Prize winning scientist Dr. Norman Borlaug. Iowa is a small state with a population barely one third that of New York City, but we have produced many notable personalities who have risen to the top in a variety of fields. But two individuals who left the state to find fame and fortune beyond the Mississippi or the Missouri and found the way to the top found fame by making a lifelong career of promoting their home state through their art. Artist Grant Wood was the creator of the most recognized painting in the history of American art, American Gothic, depicting an Iowa farmer and his daughter in front of a tiny farmhouse with a large gothic window. Grant Wood devoted his entire career to portraying all things Iowa on canvass. And Meredith Willson - composer, songwriter, band leader, radio personality known for corny, homespun humor - used whatever stage available, whether in Seattle, San Francisco, Hollywood, or New York - to promote his home state and his home town of Mason City, Iowa. And, like Grand Wood's American Gothic, Meredith Willson created a work of art that not only brought honor and fame to his home state, but he did it with a work that had over the top popularity - one of the best known and best loved works in the musical theatre genre, The Music Man. American Gothic and The Music Man are uniquely Iowa creations by artists who achieved fame during the first half of the twentieth century and who never forgot their roots but celebrated their own origins in their own artistic endeavors. And when Meredith Willson gave his "valentine to Iowa" to the world, he did it with his own tribute to the artist from Anamosa when he added an American Gothic tableau to one of the opening numbers of his show. It's a wonderful little wink at his fellow Iowan who did so much to promote their state through his regional style. These two works of art are joined by their origins, their popularity, and by the love for their home state that their creators shared. It's a beautiful irony that patrons of ACT I's production of The Music Man can travel just 40 minutes to Cedar Rapids to see the great Grant Wood opus at the Cedar Rapids Museum of Art where it is visiting for two months in honor of the 75th anniversary of its creation. In many respects, both Grant Wood and Meredith Willson could be called Iowa's ambassadors to the world, for their views of their home state have been seen throughout the world.

Iowa artist Grant Wood's American Gothic, painted seventy-five years ago
in Cedar Rapids, depicts a stern pitchfork wielding Iowa farmer and his daughter
outside a tiny farmhouse with an over sized gothic window. This unique
Iowa themed work, like Meredith Willson's The Music Man, enjoys great
popularity and recognition. The painting is currently on loan for two
months from the Art Institute of Chicago and can be seen at the Cedar Rapids
Museum of Art. Models for the couple in the picture were Grant Wood's
sister Nan and his dentist.

Meredith Willson paid tribute to fellow Iowan Grant Wood by putting a tableau depicting Wood's painting American Gothic into one of the opening scenes of The Music Man. ACT I's portrayal of the tableau, using a backdrop borrowed from the Waterloo Community Playhouse, features Alan Nebola as the farmer with the pitchfork and Rachel Kramer as the daughter. Currently, Grant Wood's American Gothic can be viewed at the Cedar Rapids Museum of Art where it is on loan from the Art Institute of Chicago for a special exhibit celebrating the 75th anniversary of the painting. American Gothic is considered the most recognized painting ever done by an American artist just as The Music Man is one of the most recognized works of American musical theatre.
Meredith Willson honored his home state in a big way, but doing things big was nothing new for him. He came into the world in a big way. His birth weight of 14 pounds and six ounces made him the largest baby on record born in Iowa when he was born on May 18, 1902 in his parents bedroom in their home of Pennsylvania Avenue in Mason City, Iowa. And before his career was over he made the Guinness Book of World Records for leading the largest band ever assembled - over 2700 players. But these are just interesting trivia facts about a man whose long career as a musician of great style and heart culminated with a work of art that has lasted as a centerpiece in our popular culture for 48 years and shows no signs of ever losing its glow.
The Willson home was dominated by Meredith's mother Rosalie, who instilled in her children both her religious faith and her drive for their own personal success in their chosen field. The three Willson children were all successful as adults. Dixie, the eldest and twelve years older than Meredith, led a very colorful life in a career that took many turns, from being a show girl with the Ziegfeld Follies to being a Hollywood screenwriter. Cedric, older by two years than Meredith, was a businessman and engineer in the aggregate concrete field. When Dixie, Cedric, and Meredith were children, their home was a hub of activity. Mrs. Willson, who was very active in civic affairs, a leader in her church (thirty-three years as Sunday School Superintendent at the Congregational Church in Mason City) and who also took time to direct neighborhood children in theatrical productions staged at the Willson home, could easily be described in terms Vinton readers will understand as a 1912 version of Marcy Horst. Music and theatre played major roles in the lives of the three children, and Meredith at an early age became the family's musical standout. He played many instruments, but specialized in piano and flute, and piccolo.

Meredith Willson (seated in rocking chair) at age 10 in 1912 in the family room of their home in Mason City. He is pictured with his mother, Rosalie, and his older brother Cedric.
Meredith left home at age 18 as soon as he graduated from Mason City High School, going to New York to seek his fortune. It didn't take long. He studied music at the Damrosch Institute, later renamed the Julliard School of Music, and was quickly hired by John Phillip Sousa - famous for his many marches, less famous for numerous operettas he composed, but perhaps most famous as the former director of the United States Marine Band. Sousa at that time led a touring band and he made the teenager from Iowa his first chair flute and piccolo player. After three years with Sousa, Meredith was hired by the New York Philharmonic Society, now the New York Philharmonic orchestra, where he played flute under another legendary conductor, Arturo Toscanini.
Also in 1920, six months after leaving Mason City, he returned to elope with his childhood sweetheart, Peggy Wilson. In the intervening six months, however, the Willson home had been rocked by a local scandal. Meredith's father demanded a divorce from Mrs. Willson. The Willsons' marriage ended and shortly after, John Willson married a woman four years younger than Meredith's sister. This would not be the last heartbreaking incident in the family, but Meredith never commented on such incidents publicly.
In 1929, Meredith Willson launched a career in radio as a musician and band leader, moving to Seattle and later to San Francisco. During this time he became a hit song writer with such hits as "You and I," which was the number one song in America in 1941. While living in San Francisco, he composed two symphonies, and later he composed the music for two well known films - The Great Dictator in 1940 (Charlie Chaplain's first talking film, which was a scathing satirical bash of Adolph Hitler) and the screen adaptation of Lillian Hellman's play The Little Foxes, starring Bette Davis.
In 1942 Meredith joined the army and for the remainder of World War II was involved in supervising the production of overseas radio broadcasts as well as composing songs for the war effort. Following the war he was hired by George Burns and Gracie Allen to be the band leader for their radio program. It was typical of Willson, who was famous for his corny humor, to plug "My hometown of Mason City, Iowa" in his weekly radio broadcasts, and broadcasts typically ended with the hymn "May the Good Lord Bless and Keep You" which he wrote as a tribute to his mother, who had a habit of using this phrase as a way of saying good-bye.
In 1947, Meredith's marriage to Peggy, which had been considered by insiders to be one of the happiest in Hollywood, ended after 25 years with little explanation. Peggy Willson cited her husband's busy schedule as a reason for wanting out of the marriage. In 1948 he married Russian opera singer Ralina Zarova, who was known as Rini. During this time he also wrote his first book, "And There I Stood with My Piccolo," and made his television debut in 1950 on the variety program "The Big Show," hosted by Tallulah Bankhead. In 1951 he composed the ever popular "Iowa Fight Song." During this time he also began work on a musical play about his home state entitled The Silver Triangle. Following a failed audition to be the quiz master of a TV game show, he began working full time on the play and did so for several years.
By 1956, The Silver Triangle had become The Music Man. The featured characters were a con man attempting to sell a boys band to the small community of River City, Iowa; the town librarian (modeled after his mother) and a little boy in a wheelchair. At midnight on December 19, 1956, Meredith and Rini Willson performed the show in a New York apartment for Kermit Bloomgarden, a Broadway producer who agreed to take on the project. Director Morton DaCosta was later hired to stage the play. DaCosta, who staged both the original play and the 1962 film version, insisted that the little boy be taken out of the wheelchair and so the lisping Winthrop became a part of the story. A long list of actors, including Danny Kae, Andy Griffith, Lloyd Bridges, Van Heflin, Lawrence Olivier, Alec Guinnes, James Whitmore, Ray Bolger, Art Carney, Jason Robards, Dan Dailey, Gene Kelly, Phil Harris, Bert Parks, Milton Berle, and Jackie Gleason were considered before the role of Harold Hill was given to Robert Preston.
The original Broadway production of The Music Man ran for 1,375 performances, and it won eight Tony awards. Shortly before the release of the film, Meredith Willson teamed up with the film's star, Robert Preston, to create "Chicken Fat," with music composed by Willson and performed by Preston, an exercise record that was used in the 60s in gym classes across the country.
Following The Music Man, Meredith Willson wrote three more musicals. The Unsinkable Molly Brown premiered in 1960. Here's Love, a musical adaptation of the film Miracle on 34th Street, was first performed in 1963. This show includes another very popular Meredith Willson song, "It's Beginning to Look a Lot Like Christmas," which he had written much earlier but incorporated into his new show. His final musical, 1491, about Christopher Columbus, failed in early trial runs in 1969 and was never performed on Broadway.
The film version of The Music Man was premiered in 1962, with its first showing in Mason City. In 1964, when the Beatles made their American debut on the Ed Sullivan Show, one of the five songs they performed was "Till There Was You" from The Music Man. Rini Willson died of cancer in 1966. Meredith Willson married for the third time to Rosemary Sullivan in 1968. Meredith Willson had no children; his brother Cedric had two daughters as well as a son who was killed in the Vietnam War. Rosemary Willson is still alive today.
In 1982, Meredith Willson was elected to Songwriters Hall of Fame by the National Academy of Popular Music. He died on June 8, 1984. He is buried in Mason City.
In 1988 Meredith Willson was awarded the Presidential Medal of Freedom, presented posthumously by his friend President Ronald Reagan. Also in 1988 he was given the Iowa Award for lifetime achievement (given once every five years), presented posthumously by Iowa Governor Terry Branstad. In 1999 he was the subject of a commemorative postage stamp by the U. S. Postal Service.
In 2002 for the centennial of his birth, the ten million dollar complex Music Man Square was opened in Mason City next door to his birthplace.
ACT I is proud to be able to bring to our local audience this unique work of art, dedicated to small town Iowa. As a small town Iowa community theatre, it is our humble honor to bring to life this charming, brilliant, and memorable contribution to the popular culture made by one of our own.
The book Meredith Willson: The Unsinkable Music Man by John C. Skipper was used as a source for much of the information used in this article.
Member of the Month
Sheila Monson
As we enjoy the final week of our hit production of Meredith Willson's The Music Man, we help Grease Paint Readers get acquainted with our leading lady! Sheila Monson plays Marian the Librarian, her first major role with ACT I, and serves as one of the two music directors for the current show. But Sheila is no stranger to our audiences, especially those who attend our children's theatre productions. So as we bring our current production to a close, we honor Sheila Monson as our Member of the Month for September!

Sheila Monson on stage as Marian Paroo in our current production. She also serves as co-music director.
Sheila has been quite busy with ACT I during the last two years, as well as being very busy with her family (husband Kirk and three daughters) and her teaching position as 3/4ths vocal and general music teacher in the Center Point - Urbana School District Middle School, where she teaches a unit each year on The Music Man. The Monsons live in Urbana seven miles away but are quite busy in Vinton as well. In addition to her ACT I activities, Sheila directs the choirs at Bethlehem Lutheran Church in Vinton.
Sheila Monson is one of a growning number of ACT I volunteers who are currently very active but who have not been with us very long. Like so many adult members of ACT I, Sheila was preceded into the organization by her children. Her oldest daughter Rachel, now eleven, who first appeared as a villager with ACT I in our summer, 2002 children's theatre production of Ogre Here, Ogre There, in the Remarkable Puss-in-Boots segment; Rachel's younger sisters Kaia and Sydney appeared as baby beans in the same production in the Once Upon a Vine segment.
In February, 2003, Sheila made her own debut with ACT I, in our production of The Reluctant Dragon, in which she played the role of Aggie. Later that year, for our summer 2003 children's theatre production, American Hysterical, the girls were back, this time with Mom. The girls were in the cast and Sheila was a rehearsal assistant. Then last summer, Sheila served as music director for our summer production of The Adventures of Beatrix Potter with Rachel, Kaia, and Sydney in the cast, and immediately following that, Sheila played the role of Sister Margaretta in last season's The Sound of Music and Rachel was one of the folk dancers.

As rehearsals for The Music Man got underway, the Monsons were also in rehearsal for The Princess Plays. Sheila was now in the director's role, sharing the responsibility with Shirale Hanson for the staging of the Twice Upon a Time Segment of that play. As director for the delightful one act, Sheila got to coach her three daughters; Rachel and Kaia played two of the witches in the story and Sydney was seen as one of the seven dwarves. Rachel and Sheila juggled two plays at once as Sheila handled the dual roles of co-music director and leading lady while Rachel took on the role of Gracie Shinn.

"God has been very good to me!" Sheila says. She grew up in Northwest Iowa, graduating from Spirit Lake High School "where I spent a lot of time on stage or hanging out at the beach." She began dating Kirk in her senior year. She attended Luther College in Decorah with a vocal music education degree and married Kirk right after college. She taught K-12 vocal and general music at New Hartford for three years, and then taught 5-12 vocal music at Center Point - Urbana for five years. She asked for the part time Middle School position after Kaia was on the way, and she tries to give the girls as many musical and theatrical opportunities as she can, throwing in some sports as well when possible. Kirk owns his own video production company in Cedar Rapids, which she says has been exciting to watch grow.
Prior to motherhood Sheila had also performed with the Cedar Rapids follies, but dropped out of performing in 1992. "When Marcy called about The Reluctant Dragon I came out of mothballs and have had an absolute blast with ACT I and STAGE! experiences! I love performing, but my real passion is working with kids and seeing how far they can go. Its' been loads of fun being on stage with my daughter and watching all of them blossom from their stage experiences."
I
Sheila dances the Shipoopi with Tony Bopp, ACT I's Harold Hill
ACT I is delighted to have the Monsons as part of our family, and we appreciate Sheila's hard work as music director and performer. We hope she's with us for many performances and directing contributions! And congratulations on a great performance as Marian!
View the past articles in our Member of the Month series! All previous Member of the Month features (beginning with September, 1998) have been archived and can be accessed in one convenient place. Older articles in this archive section have been updated to bring the members' accomplishments up-to-date! To visit the Member of the Month Archives, go to www.act1.org/mom.htm.
The Dairy of Adam and Eve
Auditions for our next production, a Readers Theatre production of The Diary of Adam and Eve by David Birney, will be held October 11 from 6 to 8 PM at the ACT I Studio above Clingman Pharmacy. Production dates are November 11 and 12. The show will be performed as a dinner theatre at the Vinton Country Club. Three actors are needed, including one man, one woman, and a third of either gender. Directors for the production, which opens our Events Series for this season, are Mary Horst and Alex Martinez-Vasquez.
Birth Announcement
We welcome a new member into the ACT I family! Aspen Bennett Ahrenholz was born on August 12, 2005. Aspen is the daughter of Kevin and April Ahrenholz and her siblings are George, Samuel, Annebeth, and Adam Ahrenholz, and Tess and Sean Noeller. The entire family are veterans of ACT I productions and Kevin and Tess both appear in our production of Meredith Willson's The Music Man! Kevin also serves as vice president of our board of directors. Congratulations and best wishes to this special ACT I family!
ACT I TRIVIA QUIZ
The Music Man
How much trivia and lore
about this glorious show can you identify?
1. Who was the original first choice for the role of Harold Hill when casting the original Broadway production? (This actor never even discussed the role with Meredith Willson or director Morton DaCosta, but used his wife for the rebuff, who informed the production team that "My husband is not interested in playing a con man in a musical.")
2. It's hard to imagine the film version of The Music Man with a different actor from Robert Preston, but he almost didn't get the chance to reprise his stage role for posterity when the film was made. However, Meredith Willson nixed the choice of the studio bosses by refusing to make the film without Preston. Name the actor who many expected to be the film Harold Hill.
3. The eleven-year boy who was the original Winthop was discovered by Meredith Willson's wife Rini when she saw him on a television quiz show. Following his Broadway run, the boy enjoyed a brief career as a well known child star. Name him.
4. The Music Man swept the Broadway Tony Awards in 1958, including the award for Best Musical. What other very famous musical from 1957 was the principal competition that year at the Tonys?
5. Which is the only song from the original score not to make it into the movie when the film version of the play opened in 1962?
6. Name the composer of the only tune in the play NOT written by Meredith Willson.
7. Meredith Willson earned a place in Bartlett's Familiar Quotations with what line from The Music Man?
8. The music man is full of references to personalities, products and items commonly known in 1912 which would still have been well known to audiences in 1957 when the show first opened that are no longer known to most audience members today. Identify the following which are mentioned in the script: (No fair asking a cast member for the definitions!)
a. Bevo
b. cubebs
c. tailor mades
d. Dan Patch
e. tierce
f. Captain Billy's Whiz Bang
Submit answers to: act1ofBC@aol.com or mail to:
ACT
I of Benton County Trivia
Quiz
Box 222, Vinton, Iowa 52349
REMEMBER:
You do NOT need to have all the answers in order to submit an entry!
Iowa isn't thought of a major player in the entertainment industry, but we have made our share of contributions over the years, Meredith Willson's The Music Man being one of the shining examples. How many of these Iowa theatrical accomplishments, events, and personalities can you identify?
1. A
major revival of The Music Man many years ago featured actor Dick van
Dyke as Professor Harold Hill. Dick Van Dyke was also featured in a major
motion picture that was filmed in the town of Winterset, Iowa in 1971 about an
entire town that tried to quit smoking. Name the film.
Cold Turkey
2.
Another much more recent film starring Meryl Streep was also made in Winterset
and the surrounding area. Name it.|
The Bridges of
Madison County
3.
Sticking with Winterset for one more question, name the world famous actor who
was born in that town.
John Wayne
(Born Marion Morrison)
4. Name the actress from Dennison who was featured in her own television show and who also had a year in the role of Miss Ellie on the TV show "Dallas." Donna Reed
5. Name the current Hollywood superstar with Vinton connections. (0kay, we had to throw in ONE easy one!) Elijah Wood
6. Name the world famous artist who once donated his talents to painting scenery for the Cedar Rapids Community Theatre (now Theatre Cedar Rapids.) (Hint: No relation to #5!) Grant Wood
7. The Music Man is not the only Broadway musical to feature an Iowa setting. Name the popular musical which takes place in a garment factory in a relatively generic setting identified as Cedar Rapids, Iowa. The Pajama Game
8. Though not with an Iowa setting nor by an Iowa author, this play, one of the masterpieces of 20th century American drama, has the distinction of having been written in Iowa City while its author was a student at the University of Iowa writers' workshop. (HINT: ACT I has produced another play by the same author.) The Glass Managerie (by Tennessee Williams)
9. A century ago, this performing act from Cedar Rapids was the toast of Broadway, and it was one of the oddest acts to ever draw national attention. Name this unlikely quintet that remains one of the most entertaining diversions of eastern Iowa history! The Cherry Sisters
Congratulations to Mike Modrow, who answered all nine questions correctly, and to Darran Sellers and Ruth Arnold who each answered seven out of nine correctly!
Message
from
the Editor
What a rich and wonderful experience it has been to prepare The Music Man for our local audience! Directing a show of this magnitude is a unique experience. Like any directing assignment, you can expect daily surprises, and the perennial problem of cast member absences with the busy lives all of us lead. (In fact, the first time that the entire cast for this show was assembled under one roof together was September 15, opening night.) But without question this show has been very special. The cast has worked together so beautifully, and has worked hard to make this production the best it can be. It's wonderful to see everyone pulling together and supporting each other for our mutual success.
For me personally, I was coming into a show that has always scared me. It's the ultimate challenge for any community theatre in Iowa because of the familiarity of the material. I knew we were attempting a show that was both very difficult because of the complexity of the music, and it's a show that can be easily damaged by a bad performance. But also a show that because of its innate high quality deserved the very best, most faithful interpretation possible. Through it all, with the research that is normal for any director of any show, I have come through this project with an even greater respect for the show's creator. Meredith Willson was truly a kind and gentle soul who loved his home state a great deal and poured his love of the people of Iowa into the beautifully created characters that populate his River City. I am struck by the great humanity he was able to put into this show, so that at the ending of the show it's not the wrong notes from the band that we notice, but the love of the town for its young people and the hope that they place in making the world a better place for their next generation. It is not lost on the members of the production company just how much like River City our own community of Vinton is like; perhaps that is one of the most important reasons why our production has received such a warm reception from the local audience.
Here's hoping this isn't the last time Harold Hill makes a stop at the Palace Theatre.
Thank you, Meredith Willson, for writing such a beautiful show about us.
I'll repeat this plug for ACT I members who are not patrons of the Old Creamery Theatre: As a member of the Board of the Old Creamery Theatre, I would like to extend a special invitation to ACT I members who are not regular patrons of this, Iowa's only Equity theatre company. For a limited time (during the run of the next two shows on the Price Creek Stage in Amana) members of the board are able to give new Creamery Patrons a special board voucher to attend either Broadway Bound or It Runs in the Family for $12.00, half off the regular price. Both of these shows are excellent comedies - Broadway Bound, which opened last weekend, is on of Neil Simon's finest plays, and of course ACT I patrons will remember It Runs in the Family as the smash hit of our 2001 - 2002 season! If you have never attended a production at the Old Creamery, now is an excellent chance to start becoming a patron of this excellent Iowa institution! So after you've seen The Music Man, check out our state's most important professional theatre company! Contact me at SArnoldIA@aol.com for more information if you are interested! You'll be glad you did! Remember, the Old Creamery performs at two different stages, The Price Creek Stage and the old Amana Train depot, both in Main Amana. Broadway Bound runs through October 2, followed by It Runs in the Family, and running currently at the Depot Stage is Visiting Mr. Green. Please support the theatre that gave ACT I its start!
Steve
That's Grease Paint for September, 2005!
To look back at previous online issues, visit our Grease Paint Archives page by clicking here!

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